Taking the bull by its horns of a dilemma

25 November 2009

I am still somewhat haunted by childhood images of sheep and cows being slaughtered for Eid, in commemoration of the legend of Abraham who was ordered by God to sacrifice his first-born, only to have Gabriel intervene at the last moment and offer a ram to Abraham. The bellowing and bleating of these animals, waiting in a truck while the men gathered in the mosque, will remain with me. The sight of a cow – often stereotyped as a dumb beast but nevertheless a magnificent animal – lying on its side with its neck over a pit, its blood draining, giving a last few futile kicks, will always remain with me. The smell of half digested grass with its overwhelming note of cow shit as the carcass was skinned and the entrails drained and cleaned, will also always remain with me.

So let me state at the outset that I find the idea of killing a large animal sporting horns by using only one’s hands quite a dauntingly disturbing task. I imagine that the animal’s bellowing would haunt me, the frightful look in its eyes, the ropes of saliva and snot hanging from its mouth and nostrils, the pain from its crushed testicles searing through its bulk to its brain.

And let me state also at the outset that I am immediately skeptical in arguments that deploy ‘culture’ and ‘tradition’ to justify or establish any practice or behaviour. Arguments that do so inevitably seek to justify one or other thing and set it beyond criticism, no matter from where the criticism and to which purpose. And these arguments do so by placing it beyond history: ‘culture’ and ‘tradition’ operate by automatically appealing to our wish that what we do has an origin that stretches back and disappears in the mists of time. This sense that what we do has a mythical and/or mystical origin then reflects back onto what we call ‘culture’ and ‘tradition’, granting them the mythical power that reinforces one’s own behaviour and sense of belonging to a set of practices, for both inclusionary and exclusionary purposes: who belongs and who do not belong. Who can speak/criticise and who cannot.

Sometimes the uses of ‘culture’ and ‘tradition’ to mask the invention of ‘culture’ and ‘tradition’ can be amusing because, once re-historicised, it can expose the culture and tradition that one steadfastly clings to as originating at a time, place or intention that clashes with the perspective or habit of that particular newly-invented tradition. The Christian assimilation of pagan customs – Easter, Christmas – for instance, is well known. The Scottish clan tartan that denotes a surname’s purported link to a mystical Celtic past is a relatively recent invention:

For as Trevor-Roper points out with ill-concealed glee, tartan and kilt, those universal badges of Scottishness, are about as authentic as Disneyland. Until the 18th century, no one north of the Tweed had ever seen a kilt; nor did the clans, as legend has it, distinguish themselves by the pattern of their tartans, until they were taught to do so by an enterprising clothing manufacturer. (Adam Kirsch, “Hugh Trevor-Roper’s The Invention of Scotland“, The New York Sun, 2008)

The invention of tradition happens often as some form of political endeavour. As Trevor-Roper points out (from above review), much of Scottish history at some point was invented by Henry Boece in the 1400s, to compete with an Anglo-Saxon claim of antiquity. In his History of the Scots, Boece then invented 40 kings, numerous of whom were deposed or executed because they were bad or downright evil rulers.

A century later, George Buchanan would use this invented history to claim a tradition of Scottish rebelliousness as apologist for those seeking to depose Mary, Queen of Scots. In other words, an invented tradition now used as real historical force.

It goes without saying that all people invent traditions – this is neither a good nor a bad thing. But it is important to understand that culture and tradition – all cultures and all traditions – are not static entities. They are historical; they are fashioned and used often for historical and political purposes. The Scottish tartan’s more recent, 18th-century rise in popularity was also an act of protest against union with England:

This apparatus [tartan kilt and bagpipes], to which [Scots] ascribe great antiquity, is in fact largely modern. It was developed after, sometimes long after, the Union with England against which it is, in a sense, a protest. (Hugh Trevor-Roper, “The Invention of Tradition: The Highland Tradition of Scotland”, in Eric Hobsbawm & Terence Ranger, The Invention of Tradition, 1983/1988)

Thus sometimes something good can come out of the use of tradition, invented or not. The important thing is that ‘culture’ and ‘tradition’, being invented, is open to change, and that this change occurs often at crisis moments, through contestation (think of various religions privileging the male as office-bearers, and how that is slowly changing). These changes then more often than not spark resistance, and the resistance is justified by appealing to culture and tradition, as if the latter are not open to change. Most often, this kind of change is brought to bear on a particular culture from within: women priests and imams demanding and agitating against the status quo.

Sometimes, cultures and traditions clash, as in the present controversy over the bull-killing ritual in South Africa, but I doubt that such a clash will make for change.

I do not know enough about this ritual, and while I have my own personal feelings about the ritual, in line with my feelings about the Muslim ritualised slaughtering of animals on Eid, I am reluctant to voice an opinion on either of them.

What I do know something about is the history of a colonial discourse, especially when that discourse grants itself the power and the right to bring enlightenment to people whom the colonial discourse deems are in darkness. I may think that the Zulu ritual is cruel, or the Muslim one for that matter, but before I go and chase down Muslim or Zulu about that, I might try to understand, also, the history of admonishing people for something that they do, in their backyard or on a field unbeknown to me, because it upsets me and my sensibilities. I may try and understand the history of doing so and where it has landed us. I may try and understand that arrogation of the right to admonition and what results it has had. If I then still feel compelled to admonish or criticise, I might temper my criticism accordingly.

This is where the Animal Rights Africa activists have it wrong, and place themselves on the side of a colonial discourse that in the past has granted itself the right – self-righteous and arrogant – to tell people, of whose lives and practices they know little or show little interest in, until they hear the cow bellowing, how to live.

Despite claims that they seek not to be confrontational (IOL, 16 November 2009), ARA’s conduct has been nothing else but confrontational: a court order to stop the activity. And it is no surprise that the people who engage in the bull-killing ritual respond as if they are under attack. According to news reports all over, it seems that a meeting with concerned parties were set up only in hindsight.

Does ARA have anthropologists as members? Do they know this ritual happens every year? Is/was there not a different approach than suddenly jumping on some ethical high horse, the invention of which, certainly, is also open to scrutiny?

I believe that there are some foundational ethics that cannot be subject to cultural relativism – murder, for example, cannot be justified. But, in a country that is still struggling to really address racism and the colonial legacy (yes, apartheid goes back almost 400 years in modern South Africa), and where people quite happily, on both side of the fence, care not about how they address each other, how they look at each other, where they care not how such address or look hurts each other, I find the suddenly ethical hysteria about the bull-killing despairingly blind to a history in which the forces of enlightenment simultaneously subjugated people as it claimed it brought such enlightenment. If one wants to carry the torch for enlightenment, would it not be best to exhibit such enlightenment by one’s behaviour towards each other, in stead of saddling the good steed Self-Righteous?

I’m not saying that one should be obsequious, but in demanding that one’s own sensitivities be considered while trampling on another’s is in bad taste, counter-productive and neo-colonial. No wonder South Africans are all crawling back into their hide-bound little enclaves.

And, however much we want to argue about the relation between cruelty to animals and cruelty to humanbeings, we still haven’t resolved our own cruelty to human beings. I have to draw the line there. In exercising our concern over animals at the expense of our concern over humans, how can we wonder that some humans turn from us and care not what we think?

Update: An eyewitness account of the 2007 ritual by blogger Wizzy. Pierre de Vos at Constitutionally Speaking also addresses the issue.


Dagga in African Cities

15 July 2009

The inaugural edition of African Cities Reader is now available and an extract from unfinished “Dagga” appears in it:

Contents Page (PDF)

“Dagga” (PDF)


The Literature Police

24 March 2009

THE LITERATURE Police is an interesting website that accompanies Peter D. McDonald’s book, The Literature Police: Apartheid Censorship and its Cultural Consequences (2009, reviewed by Michael Titlestad at the Times). The site contains all manner of material related to the history of censorship in apartheid South Africa and is worth a visit.

Update: A good review of the book by Shaun de Waal over at the M&G. I’m hoping to get my grubby paws on a review copy.


The mighty poet, I-Roy, was on de wire…*

8 February 2009

LOOKING FOR clips of Jerome Taylor’s five-for against England yesterday, I happened onto two golden oldies, toaster supreme, I-Roy, in a “Tribute to Michael Holding“: “Michael Holdin’, doun in Londontown is golden…” (from the album, Musical Shark Attack, 1976)

So, if you are of a certain age, pickling in collapso nostalgia, tun up de soun’ (No moving pictures):

*Linton Kwesi Johnson, “Street 66″


Dagga- Part Four

13 December 2008

Part One

Part Two

Part Three

I did start smoking dagga. Details evade me, but the first time would have been on that large veld where die dam was, the farmhouse now abandoned. It would have been at some point during the last three years of high school, with Bokkie, Hare and MC, who had all already tried dope a few times.

By Std. 9 or 10, an obligatory drinking culture had developed among many of our peers, some of them friends. At an older friend’s flat or in Orleans Park with friends who were already at university, and who thus had bursary money to burn and were of legal age, some of my friends drank away their weekends. ‘n Kis biere, ‘n bottel hardehout (hard tack). Four people. One evening’s drinking. Or these were friends from school who were now already at university (I failed Std 8 in 1981 and thus had old class mates a year ahead of me). I didn’t drink. While I may have been intrigued by alcohol (advertising, or from seeing an uncle from my mother’s side lean on a fence on a hot day, a chilled can of Black Label in hand), as a good Muslim boy I stayed away from it, having developed the appropriate distaste towards it and its consumers. Even had I had the interest, I would not have been able to disappear from home for two days, which was needed for my drinking friends, ‘sleeping over’ at an older, independent friend, drinking, passing out, sobering up. Read the rest of this entry »


Walcott on Omeros

10 December 2008

Via Rethabile at Poéfrika from Lesotho-France, from Geoffrey Philps all the way in Jamdown, an audio file of Derek Walcott reading from and talking about Omeros for BBC World Book Club.

While Walcott sometimes misses the point of a question or his humour falls flat, it is still a pleasure listening to him, where the crack of age adds another dimension to his voice as he insists that Omeros is not a re-writing or a re-framing of Homer in the Caribbean. For me the power of Walcott’s poetry has always been its associative abilities, drawing connections through association, insinuation, rather than any direct line. To him the relationship between Omeros and Homer’s The Iliad and The Odyssey is one of association, allusion, as it should be with literary ancestors.

My favourite bit is when Walcott mentions his morning ritual when writing:

I live near the sea… on the edge of the beach. And I would get up in the morning – in those days I smoked, thank god – I would get up, and I knew I was getting up not really to work, but to smoke and have a coffee…

You can find the audio file here, where Geoffrey Philps also has links to an extended section on Walcott, one a piece on why Philps would trust Walcott more than his pastor.


Dagga – Part Three

6 December 2008

Part One

Part Two

MM, a classmate, introduced me to reggae at some point during the long months that we were out on national school boycotts in 1980. Deep in winter, and bored with the ‘alternative education’ programme – listening to speeches, singing ‘freedom songs’ that were mostly old spirituals or hymns – or wary that police action may be imminent, we stayed home. MM would visit, carrying his sought-after army knapsack brimming with vinyl records: Linton Kwesi Johnson’s Forces of Victory, Peter Tosh’s Equal Rights, Jimmy Cliff’s Follow my Mind, “Remake the world” from the latter featuring as a freedom song sung at ‘mass meetings’ at school:

Too many people are suffering
Too many people are sad
Too little people got everything
While too many people got nothing

Remake the world
With love and happiness
Remake the world
Put your conscience to the test…

Bob Marley in there also, of course. Kaya, Natty Dread, Rastaman Vibration, Zimbabwe, later Uprising. Read the rest of this entry »


The muezzin and I

4 December 2008

The following are two excerpts from “The Muezzin and I”, forthcoming in a collection of essays, Kitaab of the World: Writing Islam in South Africa, edited by Gabeba Baderoon and Louise Green.

The piece is written in the form of an autobiographical lexicon and entries range from the earnest to the quirky. It has no pretensions towards the encyclopedic and is based rather on the fragmentary, the idiosyncratic, the half-assimilated and half-understood. Some are purely autobiographical, others are about versions (South African, Paarl’s, my father’s) of the Islamic.

Muezzin

The male voice in Islam finds its apotheosis in the muezzin (mu’atthin, also bilal) – the person who performs the call to prayer and who interacts in a loose call-and-response format with the imam during Friday’s sermon – or in recognised recitors who have turned recitation from the Quran into an art form by following a set of rules both aesthetic and spiritual, and known as Tajwid. One such legend was Abdul Basit (1927-1988), an Egyptian who had apparently memorised the Quran by age ten. Basit made recordings of his work commercially available, and he garnered a huge following, pulling large crowds at recitals. Video recordings of his work may now even be found on the web.

While there were several muezzins in my hometown, one of them had a sublime voice which could draw tears from the men in mosque. He was a lanky, gentle, and unassuming man, often dressed in a light blue robe, which complemented eyes that were either light grey or light blue. Quiet, and a loner not typically drawn to stand and chat and joke in groups outside the mosque after evening prayers in Ramadan, he had the manner of an ascetic. Read the rest of this entry »


Dagga – Part Two

2 December 2008

Part One

Chewing a handful of raw peanuts now, I find only the faintest smell, and not quite of dagga. Perhaps the peanuts are stale.

The first time I tasted raw peanuts was when I was four. My family were on a road trip that took us along the east coast up to Durban, from there to Johannesburg and then back through the Karoo to Paarl. In Durban we stayed for a few weeks with family friends, a Hindu household that had bought new pots and stocked their fridge with Halaal meat; and a wife, mother and cook who was very happy to indulge my four-year old’s love of curry, a dish not frequently cooked in our own household. But perhaps they also indulged my taste for curry for the benefit of collective comedy. At four years old (and until I was twelve or so), my tongue struggled to find the English middle-ground between a rhotic R and palatal L, so curry and rootie, my favourite dish, became cully and loottie. One of my childhood nicknames was Cully-and-loottie, much to my growing irritation a few years later, when I cussed and threw a knife at another family friend for persisting in teasing me with this. Adults delighted in asking me what I wanted for lunch or supper. In Durban, I was asked this for breakfast too. Cully. Durban was a magical place where one could get curry for breakfast as well.

Read the rest of this entry »


Dagga – Part One

28 November 2008

I first smelled dagga when I was seven or eight, walking to primary school with my brother. The walk took us through a small veld that was a familiar shortcut for school children and workers. Our neighbourhood, New Orleans, was a new one and of the 1970s, called a ‘community development project’ (Gemeenskapsbou-projek) by apartheid planners and part of the town planning and development required by the Group Areas Act. New Orleans was one of countless new ‘community development projects’ across the country which were to accommodate those kicked out of areas then recently declared white.
Read the rest of this entry »